In Coralie Fargeat's new feminist terror film The Substance, unsafe societal appeal standards are the genuine beasts. They (women objectification, the fingertip of "the old," the expansion of a field built on physical body alteration) nourish a monster of a cycle that leads Demi Moore's fading television individuality character Elisabeth Shimme

It is our hope that when we collect these reviews of different sources it will help to create (blog) a more flexible and welcoming discussion communities by giving a the opportunity for critics to highlight unappreciated films, question (click now to read blogs) accepted notions, and introduce new perspectives.Complementary WebsitesDecker Shado Mov